Ass Man.

Which is what we called “Asset Management” behind the scenes, while I was writing it. Of course, back then I didn’t know I was writing it for Keanu fucking Reeves.

Apparently they mentioned my name on some ComicCon panel about a month ago, which effectively lifted the embargo (“Brag #2” was as far as I could go back in September). Now they’ve released a couple of meaty clips over on YouTube. I am—I suppose the word is psyched.

You can see me in there, kind of. My dialog didn’t make it through unscathed, because “Asset Management” incorporated specific game/plot elements that were declared off-limits post hoc (not really sure why; spoilers can’t be much of of an issue for a game that came out over a year ago). The folks at Blur had to strip out a lot of details to make that work; they changed the ending entirely. But—and you don’t see authors admit this very often, so take it to heart—I think their changes were for the better. I’d been writing within the constraints not just of Rubicon the world, but also of Armored Core VI’s specific plot. Those constraints forced the story into a specific and complex mold. Unbound, though, it could assume a simpler and more natural shape.

So the dialog in one of these clips expresses the essence of what I wrote with slightly different verbiage. The dialog in the other is pretty much all me, but there’s only one line of it so that’s not saying much. The mech, as Keanu mentions, is called Shrieker— but that’s just a phonetic simplification of a much more awkward spelling, with much more world-changing implications. I look forward to seeing whether we get to see the actual name stamped onto a breastplate or something.

A Boy and His Mech

Because I still haven’t seen the whole thing, you see. Blur tried to slip me a copy, but Amazon was only willing to let it stream via a service that only supports two of the most pernicious and surveillant browsers on the planet (Chrome and Edge). It wouldn’t play nicely with Firefox, Brave, and/or their associated privacy plug-ins— and there was no way I was gonna let those guards down. Hell, Amazon’s one of the reasons I have them up in the first place.

A Mech and Its Boy.

So once you check out the clips you’ll have seen all I have. But the good news is, those moments are totally in sync with the vibe I was going for when I wrote the treatment. And the changes that make any difference at all are improvements.

For a proper assessment, of course, I’ll just have to wait until December 10th with the rest of you. Steal the ep when it drops.

You and me both, Keanu. In it to the end.



This entry was posted on Thursday, November 28th, 2024 at 9:14 am and is filed under ink on art. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
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Hunter-Killer
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Hunter-Killer
4 hours ago

Ol’ Johnny Silverhand has gone from being a voice in V’s head to having a voice in his head. How the tables have turned!

In all seriousness, congratulations. I look forward to seeing it too.

SecUnit::451
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SecUnit::451
2 hours ago

Amazing! I’m excited to see it!

Do-Ming Lum
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Do-Ming Lum
2 hours ago

This is fabulous. Congratulations, Peter!